
I painted “Ave Atque Vale” (Hail and Farewell)
shortly after the death of my dear friend, Andy. Andy was a fun-loving, active,
out-there kinda guy, with a stereotypically Italian exuberance and love of
life. We met not long after he relocated to Australia from his home town of Vicenza in Italy’s Veneto region, not far from Venice. We soon became firm friends. It was the 1970s and we were both in
our 20s. In a gay scene not then known for its macho role models, Andy really
did stand out from the crowd with his handsome, smouldering Italian good looks
and genuinely unaffected masculine demeanour. Heads would literally turn when
he entered a room and he had no trouble in winning hearts all over town. Whilst
studying to become a registered nurse at Sydney’s Mater Misericordiae Hospital, he took on part-time work at the Midnight Shift bar located
within Sydney’s gay ghetto. I can still so vividly picture him behind the bar,
surrounded by a clutch of effete, giggling admirers, all fluttering their
eyelashes in his direction, in an endeavour to capture his attention. It was
probably during this period of Andy’s life, in the early 1980s, that he
seroconverted. Following graduation, he worked as a registered nurse at various
health facilities throughout Australia, before ultimately succumbing to the virus in November 1993. His
ashes were subsequently returned to his family in Italy. I wanted to paint a picture dedicated to Andy and this
image emerged as I set about that task. The figure depicted is intended to represent
Andy’s spiritual essence at the time of his death and does not bear any physical
resemblance to him as he appeared in life. In the execution of this work, I was
inspired significantly by Kahlil Gibran’s beautiful words:
“For what is it to die but
to stand naked in the wind and to melt into the sun?”